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一直作為米路斯．科曼劇本(běn )鐵三角（另一位是帕培錫(xī )，也(🔱)是本片編劇(jù )之一）成員(yuán )的艾雲(🌰)．巴薩，當(🐮)然(rán )也走低度戲(xì )(🌫)劇路(⏬)線。同是(🌗)音樂(♑)家(jiā )(📼)的彼(bǐ )德(dé )與卡(🐿)洛(🕔)老(🔸)友重逢，生(shēng )活狀(zhuàng )(🕖)況(🕯)大不同，你有伴侶我有家(jiā )庭，然(📞)而都(🎫)有說(🗑)不(bú )出的不明朗，唯有(yǒu )以酒(jiǔ )與音樂代替口水。全片(📎)推展不(bú )問(wèn )(🥁)目的，只(zhī )在剎那間的意圖，行行(🌊)企(㊗)企比起科曼更義無反(🐑)顧(gù )，卻有生活(huó )淡(dàn )如(rú )流水的(💪)詩(⛓)意(yì )和繆思，叫(🥫)觀眾聯想到二十(shí )年後的伊(👺)力(lì )．盧(lú )馬(mǎ )。巴薩鍾愛音樂的程(🕯)度(🌮)不下(xià )(🗳)於文字和(hé )(💝)電影(yǐng )，古(🥊)典音樂(lè )與民(🚗)間音樂於全片迴轉迴盪(dàng )，難怪成了奇斯洛夫斯基(🐩)十大心愛電影之一。 康(kāng )城影展青(👌)年評審團(tuán )獎，美國全國(guó )影(🏃)評人協會特(tè )別獎 (🌱) 這(zhè )部1966年的珍(🏓)品，是捷克(👛)新浪(làng )潮短(duǎn )暫生(shēng )命中最佳(jiā )作(🛃)品之一。成(chéng )(🤼)名(❓)音樂家到小鎮探訪舊同學，舊同(tóng )學(⏺)是個窮音(🈳)樂(lè )教師(shī )，有時在(🈂)喪禮上吹(🖱)奏樂曲。平(píng )凡的素材(🈸)在巴素手裡，變出(📯)風趣(♊)復罕(hǎn )見的旋律(lǜ )，一部憂鬱的喜劇，或灰色喜劇。 - Dave Kehr, Chicago Reader (🍂) (🏉)Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. (🍓) Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. (🏿) (👪) - Elliott Stein, Village Voice (🌓) (🥙)Source HKIFF Czech New Wave 2006
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